A great, relatively cheap program that just works.
That aside, Hofa’s CD-Burn & DDP program is a fantastically simple tool that can play more than a minor role in your studio. Hmm… This should be adjustable in the preferences I reckon, but alas… on UAD cards - WaveLab 9 now offers dynamic plugin processing which means that UAD DSP resources are only used when a clip with UAD inserted is either playing or being rendered. Regarding this comment: This could create unnecessary resource problems e.g. Audio Architect, Peak, Wavelab, DSP-Quattro and Sound Forge, all have the ability. I don’t think there is one approach that works for everybody. But if you forget (perhaps because you’re zoomed in tight and can’t see the other tracks) and decide, for instance, to crossfade Songs 2 and 3 by seven seconds you will inadvertently create a gap between Songs 3 and 4 of that identical amount. Join today to access over 21,200 courses taught by industry experts or. Locking them together is as simple as holding down the Option key whilst you adjust the one furthest to the left, so it’s no big deal.
#Mastering wavelab vs dsp quattro pro
I don’t like the way files in CD-Burn & DDP are edited on the timeline, each song file only locking to its downstream brethren when these are manually highlighted, though I’ll probably grow used to this idiosyncrasy in time. Steinberg, WaveLab and ASIO are trademarks of Steinberg Media Technologies. There is a lot more to mastering than just the stereo bus processing and while WaveLab does come with a number of great plug-ins such as MasterRig, LIN Pro Dithering, Frequency 2, and many more, WaveLab would still be my 1 choice for mastering if it came with no plug-ins at all. They’re given the prominence and significance they deserve, making you wonder why the hell some other programs make these vital commands so difficult – they’re the whole point of the program after all! SoftwareEdit Triumph Mastering Suite Adobe Encore× Audiofile Engineering Triumph (previously Wave Editor) Audiofile Triumph Cockos Reaper DSP-Quattro. I like how the ‘Burn CD’ and ‘Write DDP’ commands are in big letters >, not hidden in a menu somewhere or only accessible via some obscure key command. I like the fact that the interface sports a goniometer (a ‘jellyfish’ meter to some) though it’s pretty small and could be vastly improved by allowing a double-click to increase its size and separate it from the main screen. I love the fact that this program is so simple to use, so reliable, so unassuming yet functional. CD-Burn & DDP, however, is pretty straightforward in this respect if you have a background in these sorts of programs.Ī bit like Waveburner, a bit like DSP Quattro, but with more stability than either, CD-Burn & DDP allows you to do almost everything that these sort of programs do: edit, fade, crossfade, apply plug-ins, add metadata like ISRC codes etc, burn a CD or create a (reliable) DDP, apply dither, export files and a hundred things besides.
Recognizing the increasing need for specialized mastering tools to be made available. I’ve had a lot of experience with countless audio programs over the years, but that doesn’t necessarily give you a licence to drive all of them. Other systems available include Pyramix, Audiocube, and DSP Quattro.
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